March 2011 Newsletter
Sent: 3/3/2011 12:35:52 AM


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JOHN COSBY
Newsletter
March 2011
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Dear Readers, 
 
Moving, moving and moving- hopefully this is the last time.  My new space is the largest studio I have ever had. And, probably the best suited space for large format painting.  It has a show room up front, a painting room in the center and a storage room in the back.  For the first time, I have room to spread out. If you happen to be in Paso Robles give me a call and I would love to show you my new studio.    Given my current schedule the only way I can show it is by appointment.  I just want to remind you I will be on Maui teaching from the March 6 through 17th.  If you need to get in touch with me, leave me a message and I will respond as time permits.  Please be patient.  
 
 
                                  COSBY STUDIO                                              
 

825 RIVERSIDE AVENUE #8, PASO ROBLES, CA 93446

           

My most recent painting trip to Cabo, Mexico

 

Cabo San Lucas, Mexico was a big success for gathering subject matter.  I had great access to the beaches, fabulous properties and a side trip to Todos Santos. Here I got some great street scenes.  If you are ever going to Cabo this is definitely the time of year to go.  The weather is fabulous every day.  People I talked to say you cannot be outside in the summer because of both the intense heat and the mosquitoes. While I was there, I saw no signs in Cabo of the problems we see in the news with the drug cartels.  It felt very safe.  A problem I face many times while in foreign countries is trying to find suitable non-odorless turpentine to paint with.  Gasoline was presented as my first choice for turpentine!  After hunting hard enough, I found Home Depot had a solvent I had never seen before but it worked better than gasoline.  Such is the life of plein air painters when they travel to other countries. Our hosts in Mexico made it possible for us to stay in five star accommodations and see a side of Mexico I would not have seen without their generosity. 

 





 



 


 

 

 


 

Studies of Cabo



 

 

Seminar by John Cosby

 

The Business of Art seminar scheduled for Saturday, May 7 at the Sunset Center, Carpenter Room in Carmel, CA has started to get booked.  Registrations are coming in the mail. Click here for more information.  For those registered, more information will be sent out. 
 

 



 JOHN COSBY  WELCOMING YOU TO THE SEMINAR

 

 

   
 

 


Painting Tip

 

There Are Only Three Colors in the World

 

            There are many colors in the spectrum of light but they are all made of the three true colors; Red, Blue and Green…just testing, it’s really Yellow not Green. The color of paint you see is just light being reflected off the surface of your paint stroke.  Of course, we all know this from elementary school art class.

 

 When I first began to paint, I had eighteen or so colors on my pallet. Now, I paint with only five or six colors. I realized that even though art supply companies make new and exciting colors with names that make us want to buy and use them, this assortment of colors wasn’t necessarily good for my painting.   

 

One day, after walking a half a mile into the bush to set up and paint that perfect scene I had spotted while on my bike, I realized I had forgotten my green. What to do but pack up and go get it. While in the process of packing up, I had an epiphany. “I can mix green, Duh”. I was so relieved I wouldn’t have to go back and could instead get right to my painting.

 

Upon my return to the studio, I saw that my greens looked better in that painting than most of the other paintings in the room. Of course, this was because I had found my greens out of mixtures of all the other colors and therefore mixed them more accurately. Now I was onto something and I wanted to see where all this could go.

 

  I eliminated colors one at a time until I had the five or six colors on my pallet that I use now. With that number of paints I was getting good results, good harmony/ good unification. When going to a fewer number of colors, the combinations got muddy in some mixes. I eventually realized that I couldn’t get a clean purple, for instance, with the red and blue I was using. I had to find clean “centered” colors.

 

I needed my red to be not too yellow or too orange and it could not be too blue or too purple. I needed my red to be “center” Red and the same for Yellow and Blue. With these paints I could now achieve clean color mixes. The unexpected bonus to this “Pairing Down” was that I was mixing more paint and becoming very good at mixing in a relatively short time.

 

 I also found chasing that exact color I was observing “In Nature” was a lot of fun on my pallet because I had fewer colors to choose from. If I was observing a greenish blue I could just start with blue add a little yellow and then grey it with the only other color on the pallet, red. Then I would tint it to the correct value of the object until I became satisfied that my mixed color and the object were the same color.  In this way, painting became more fun for me! Adding a few colors back to my pallet became a matter of convenience, as I finally understood how to mix color. I will discuss that “convenience” in the future.

 

Paint with Joy!

 

 

 

I hope this helps.  Please direct any questions to john@cosbystudio.com  I will answer them as time permits.

John Cosby's Fine Art - Available Works: Click the following link to view John's portfolio of available works

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